
SETTING RHETORIC IN MOTION:
FROM THE FORMALITIES OF THOUGHT TO THE DIALOGICS OF SPONTANEOUSLY RESPONSIVE EXPRESSION
John Shotter
ABSTRACT: As Merleau-Ponty (1962) suggests, in the mimetic and indicatory, in the gestural aspect of our living bodily expressions, there is “a thought in speech the existence of which is unsuspected by intellectualism” (p.179). There is a certain physiognomy expressed in the 'style' or unfolding 'movement' of our expressions which allows a form of relationally-responsive, bodily (felt) understandings which 'set the scene' for our more intellectual forms of understanding. Following leads originally outlined by Vico [1668-1744], I want in my paper to explore the pre-intellectual, pre-cognitive origins of our communicative activities. In particular, I want to set out the special sui generis qualities of dialogically structured activities, and to make clear how they are – in their reciprocally responsive bodily character – quite distinct from either formal (logical) or causal relations. I then want to argue that it is only within the dynamic unfolding of such dialogically structured relations that the kind of physiogomic understandings of which Merleau-Ponty speaks are possible.
“(meaning is a physiognomy)” (Wittgenstein, 1953, no.568).
“It is not experience that organizes expression. but the other way around - expression organizes experience. Expression is what first gives experience its form and specificity of direction” (Voloshinov, 1986, p.85).
“Each kind of utterance is filled with various kinds of responsive reactions to other utterances of the given sphere of speech communication” (Bakhtin, 1986, p.91).
“The 'otherness' which enters us and makes us other” (Steiner, 1989, p.188).
A central theme of the Rhetoric Culture project is an exploration of the constitutive interplay occurring between culture and rhetoric – to retrieve, explore, and to make full use of “the ancient insight that just as rhetoric is founded in culture, culture is founded in rhetoric” (Strecker, Meyer & Tyler, 2001). What I want to do in what follows is to try to do just that, to try to take this theme out of the seminar room and conference hall, and to re-situate it – as is clearly required – out in the dynamics of ordinary people's everyday activities. Someone who some long time ago saw the necessity of just this move, was Vico (1964). In his Scienza Nuova of 1744, he outlined a “conceit of scholars” to which we (inexperienced as we are in what is involved in everyday practical activities) can easily fall victim: for, as he saw it, scholars “ will have it that what they know must have been eminently understood from the beginning of the world, [and this] makes us despair of getting [the understanding we seek] from philosophers. So, for purposes of this inquiry, we must reckon as if there were no books in the world" (para. 330). Indeed, just as many such as Frazer (1890) and Levy-Bruhl (1926) have in the past, so we today far too easily see the 'thought' of 'primitive mentalities' as a crude and mistaken attempt to think in what we now think of as a correct, scientific manner. Vico, however, to break the hold of such a formalistic framework, suggested a developmental view of our cultural history, with higher, more self-consciously conducted forms of mentality emerging “providentially” from lower, more spontaneously responsive forms. And it is precisely this developmental approach that I would like to explore here today.
Its general character is very nicely summarized by Michael Mooney (1985) who, in commenting on Vico's achievement, suggests its essential assumptions are as follows: “That language has primacy in human life; that poetry is prior to prose, and image to concept; that society takes form as a growth of human senses; that human actions and arrangements are the first statements of ideas, and that mind and society, with language as a means, share a common history... That society is a structure of sentiment and thought as well as a cluster of rites and forms, and that its gods and heroes, its customs and laws, its words and its sciences depend for their plausibility as much on the common and collective sense of the people as on the refined ideas of intellectuals is as golden a principle today as when Vico urged it in the eighteenth century” (pp.262-263).
Thus, to an extent, I want to follow Vico in re-situating rhetorical speech out in the dynamics of ordinary people's everyday activities. This was not, of course, easy for Vico to do. With the current institutional structures of our intellectual and academic lives in the West, it is now even more difficult. For, given our training as rational, modernist thinkers, rather than responding to events occurring around us in spontaneously expressive, 'poetic' and 'moving' ways, i.e., rhetorically, we are much more used to treating the others and othernesses we encounter as presenting us with a problem to be analyzed and solved by us as the individual expert thinkers we are. The steps involved are well known: (1) treat the newness or strangeness as a problem to be solved; (2) analyze it into already known elements; (3) find a pattern or order amongst them; (4) hypothesize a causal agency responsible for the pattern (call it, say, THE MIND or some other such entity); (5) find further evidence for its functioning; 6: enshrine it in a theory or theoretical system; (6) manipulate the strangeness (now known in terms of the theory) to produce outcomes advantageous to us; (7) call the theory 'the solution' to the problem, and turn now to 'apply' the theory elsewhere. Nowhere, currently, is this attitude expressed more vociferously, than with regard to the 'problems' said to be occurring between us within our social lives together (for reactions against, see Bernstein, 1992; Scott, 1998; Freidman, 2000; Toulmin, 2001). We are thus fixated on the idea that social change can only occur by putting the results of such thought – in the form of empirically tested theories – into practice. In my paper here today, perhaps surprisingly to some, I want to object to this whole approach. For, in emphasizing only the representational function of language, not only does it ignore its rhetorical functions of disclosure and persuasion, the constitutive rather than representational function of language, it also ignores the two-way, dialogically-structured, reciprocally responsive nature of our already existing, everyday, social practices (upon which it relies for its functioning). In fact, in conducting itself in a monological, one-way, mechanical, question and answer fashion, it does more: it eradicates these features of language from rational view. Our immediate, spontaneous, living responses to the others and othernesses in our surrounding circumstances are completely discounted and ignored as unimportant.
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Starting with Wittgenstein's remark quoted above – that meaning is a physiognomy, that our utterances are like gestures, like facial expressions, like smiles or frowns, like exclamations of delight or outbursts of dismay, which touch or move the others around us in an immediate way – I want to take our living, spontaneous responsiveness to each other seriously, as a central aspect of our being able to communicate with each other.
As is well known, Wittgenstein finds the beginnings of us being able to mean anything to each other in our spontaneous, bodily responsiveness to events in our surroundings. For him: “The origin and primitive form of the language game is a reaction; only from this can more complicated forms develop. Language - I want to say - is a refinement, 'in the beginning was the deed'[Goethe]” (Wittgenstein, 1980, p.31). However, Wittgenstein not only sees our ability to use and understand words as emerging out from our natural inclination to be influenced by the gestures of others, but also finds in our responses to them, the beginnings of possible new ways of acting and thinking. Consider the word 'primitive' in the quote above: “... what is the word 'primitive' meant to say here?” he asks. “Presumably that this sort of behavior is pre-linguistic: that a language-game is based on it, that it is the prototype of a way of thinking and not the result of thought” (Wittgenstein, 1981, no.541).
But we can follow Wittgenstein (1953) further, and begin to make contact with the aim of setting rhetoric in motion. In connection with his explorations into the special nature of human expressions (Äusserungen), he comments: “Understanding a sentence is much more akin to understanding a theme in music than one might think” (no.527). All our living utterances are responsively shaped in accord with the conditions of their utterance. Indeed, it is in the intricate 'orchestration' of the interplay occurring within such living relations, between our own outgoing (responsive) expressions toward the other (or otherness) and their incoming, equally responsive expressions toward us, that a very special kind of practical understanding becomes available to us. I have called it a rhetorically-responsive or relationally-responsive understanding to contrast it with the representational-referential understanding more familiar to us in our traditional intellectual dealings. In such an understanding as this, we grasp the nature of these others and othernesses, not as passive and neutral objects, but as “real presences (as agencies)” (Steiner, 1989). Such 'agencies' become available to us as in the rhythms, in the unique and singular movement of mental activities and energies constitutive of the unfolding complex shape of the other's expression – moments linking past to present, of looking to an event shared in common, of stopping to evaluate what has been achieved so far, and so on. We can call this rhythm, the physiognomy of the expression, or simply, following Merleau-Ponty(1962), its style. As he comments, in reading a new work in philosophy that he does not at first understand: “As in a foreign country, I begin to understand the meaning of words from their place in a context of action, and by taking part in communal life - in the same way an as yet imperfectly understood piece of philosophical writing discloses to me at least a certain 'style'... which is the first draft of its meaning. I begin to understand a philosophy by feeling my way into its existential manner [its “existential inscape” – Steiner], by reproducing the tone and accent of the philosopher... There is thus, either in the man who listens or reads, or in the one who speaks or writes, a thought in speech the existence of which is unsuspected by intellectualism” (M-P, 1962, p.179).
Thus, in my paper, I want to explore what is involved in trying to make a circumstance's 'being', as an active living agent in our lives, 'visibly present' to us, so to speak. Rather than seeking value-neutral, theoretical knowledge of the structure of a shared situation as a passive object of thought, which we must then 'interpret' as to what its meaning is for us in practical action, I want to explore different 'styles' of expression – in speech and writing – which will allow “real presences” to emerge. If we can do this, then, just as we can keep returning to a major character in a novel who 'lives on' within us long after we have finished reading the book, and who like a good friend responds to our bewilderments and disquiets with offers of guidance and orientation, so we might be able to find the 'living being' of crucial situations helpful to us in the same way. We will be able to 'hear' what their 'voices' call on us to do, to 'see' the expressions on their 'faces' to which we might feel responsive – the expressions of order and command, of invitation and encouragement, of reassurance and support, etc.; as well as of pained disapproval or celebratory affirmation, of bewilderment or disorientation, etc. – informing us of both our current relations to our circumstances (our situation) as well as of the value of our responses to them (the anticipated meaning of our actions). We can pursue all this with the overall aim of us ultimately coming to know our 'way around' inside their 'workings' so well, that we begin to feel 'at home' in the situations in question.
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